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1920s Hairstyles That Defined The Decade, From The Bob To Finger ...
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The mode of greatness, different from the plus-sized mode, consists of other clothes and accessories that are larger than usual and reflect a kind of attitude, message, or trend from the period at hand. Although the fashion trends that are too large from the 1920s to the turn of the century vary from decade to decade, there are many comprehensive themes that have been expressed over the last hundred years. Masculinity, for example, has played a major role in many of the underlying communications of fashions, although masculinity is manifested differently in clothing depending on the age. The fashion production that is too large, furthermore, runs very parallel with the American countries and the global economy. In modern, large fashion has taken a new form - especially in the field of large accessories.


Video Women's oversized fashion in the United States since the 1920s



The 1920s

The 1920s were marked by a post-war aesthetic. After World War I, the fashion world underwent a major change: from a tight corset and a limp skirt - into a shapeless, large, and highly decorated garment. Women start wearing a more comfortable mode, including blousy skirts and trousers. Furthermore, this era gave birth to fashion sportswear. Sportswear, previously recognized as America's major contribution to fashion, consists of a more relaxed relaxed style. Coco Chanel, known as the first modern tailor, made one of the greatest contributions to style in the 1920s: a two piece dress. He created a two-piece dress from a shirt (cloth), a comfortable and stretchy fabric. The American public accepts, embraces this relaxed style, which is perfect for active women on the go. The combination of these new ideas produces a very fitting and modern style.

"Boyish figures", moreover, are a common trend in this age, with a shapeless silhouette and a decreased waistline giving a more masculine look to a female figure. The emphasis on flattened chests revolutionized the construction of underwear. Along with this new silhouette, the 1920s modes are more modernized with the arrival of a new generation of sewing machines, each with individual electric motors, allowing designers to create larger modes while saving time and resources.

Unlike the "boys figure" are the kinds of hats and accessories worn by women in "twenty years old". The flapper dress is juxtaposed with a large hat, often trimmed with large ribbons, feathers, ribbons, or sequins. In addition, a thick headband is often used to praise women's hair is usually shorter. Since many fashion women of this decade are quite masculine in style, many women decorate them with rather feminine accessories.

Music also has an influence in the ways in which modes evolve. The Jazz Age saw the popularization of the flap in the dress; and stars like Josephine Baker's entertainers became famous for their semi-translucent flapper skirts.

Maps Women's oversized fashion in the United States since the 1920s



1930s

The year 1930 began in the depression and ended with the start of World War II. With rising unemployment and despair, no industry is unaffected. In the fashion industry, designers cut prices and produce new, ready-to-wear clothing, along with more economical and washable cloth clothing, such as rayon and nylon. For example, Coco Chanel shows a collection of evening dresses made of cotton and dresses sold reduced 50%. The 1930s fashion was stylish and elegant, with flowing lines and couture based in Paris.

Because many women can not afford to update their cabinets, women change their appearance by switching to changes to become a great fashion example in the 1930s. They used an elongated cloth ribbon and added feathers to their base. This inventive way to collect new items from the clothing gave birth to "Dress Feedsack"; built from animal feed material, this skirt is usually cut the same as a shift dress. The A-line cuts are boxy and contrast with the sensual and sensual bias-intersecting dresses that became famous at the same time because of their ability to cover women's bodies while sticking to each curve. Furthermore, the material is added to the collar and arm. Another trend that increased from the 1930s was "Banjo Sleeve", made by sewing two pieces of rectangular fabric with the top layer only stitched half to allow the arms to flow out. The shape of the box was big and blousy. As the era progresses, the widening skirt falls down to the bottom of the calf and the loose sleeves are tied as they fall from elbow to wrist.

From the harsh economic conditions at that time came around the glamorous 1930s in movies, and the glamorous clothing worn on display was becoming increasingly popular. The dress that was built from the chiffon cloth was rather loose as they flew away from the body, and embodied the elegance maintained throughout the 1930s regardless of the economic struggle.

What slut-shaming looked like in the 1920s
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1940s

During the first half of the 1940s, many commodities related to apparel shortage due to World War II; The United States government releases many products for use in combat. Leather, for example, is widely used in American soldier uniforms - so the material, for the most part, is not used in mainstream fashion. As a result, the oversized clothing uses an excessive amount of material not in style.

Designers such as CristÃÆ'³bal Balenciaga, Digby Morton, and Norman Hartnell, however, used the fashion practice of greatness in their early 1940s collection to manifest the consequences of war. While men abroad take up arms, many women take positions in factories and offices. Thus, women's fashion becomes more masculine. Wide trousers and shoulder pads are said to be all the rage, and most American women embrace the male style.

It was not until the second half of the decade, though, with the introduction of Dior's "New Look", a large-sized fashion was exploited widely. The "New Look" Dior, which was first popular in Europe, featured a full skirt that reached the mid-calf. When Dior initially moved this new style, the fashion house received a lot of criticism. Sir Stafford Cripps, then President of the UK Trade Council, was quoted as saying that "The New Look" is "really stupid" and a huge waste of manpower and material. He is not the only one who opposes the use of excessive material. In the US, laws are passed that limit the size of pages in fabrics for clothing, under a policy entitled L-85.

Many Americans reject the new law, with groups formed like "A Little Below the Knee Club" in Texas. However, in the US, Dior's "New Look" also shapes the current trend. Designer Claire McCardell, influenced by the Paris design, created a monastic dress, in a jersey, featuring a cross-belt strap belt and a draped full skirt. A few years later, however, after the end of World War II, the "New Look" and his great talent have enjoyed both in the world of fashion and consumer markets.

1920s Dresses and Flapper Inspired Fashion - YouTube
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1950s

The post-war era of the 1950s brought about changes in family dynamics as well as the fashion world. In 1947, Christian Dior was launched as the first collection of his fashion house, "Corelle line", which featured a very large design. The "Corelle Line" became the view of this decade, delivering femininity, elegance and elegance into an era, and making a huge impact on the female silhouette. This change was implemented by Christian Dior dominating this decade.

Clothes transformed from a box style, with square shoulders, become feminine and luxurious, with a soft shoulder line, waist strap, wide waist, and long skirt, leading to a knee-length "sack" dress. Skirts and knee-length dresses were the greatest item of the 1950s. The introduction of new fabrics, including Terylene, Orlon, Banlon, Acrilan, and Poplin, enables new fashion styles to be created and introduced. Among them are "wash-and-wear" sweater, permanent pleated skirt, and "dry-drip" skirt. This era skirt is known as a circle skirt supported by a layer of skirt, creating a circular look that accentuates the waist line. Basically, the skirt strengthens the femininity of this period.

Women of the 1950s also tend to be influenced by the fashion worn by movie stars like Marilyn Monroe and Audrey Hepburn. Hepburn in his roles in movies like <<> Roman Holiday is famous for wearing a big skirt featuring his waist, along with a tighter shirt.

History of Womens fashion -1900 to 1969 | Glamourdaze
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The 1960s

The 1960s look contrasted with the "New Look" developed in the late 1940s that greatly influenced the 1950s trend with femininity and sensuality. The 1960s look reflects the main problem of the moment: Civil Rights. Women of the 1960s "demand equal rights and equal pay, want to be free, to look young and have fun". Fashions that are too large are used in more subtle ways in this decade, resulting in a trend that is revolutionizing working women and voting for more conservative women.

To achieve this youthful and flirty appearance, the skirt is shortened, creating a look that reminiscent of the 1920s. During this era, in 1965, mini skirts were developed. The alternative to this open display is in great demand, thus leading to the making of midi skirt. This new "Midi" primarily features a pleated A-line corset, which allows it to flow out of the body. This enormous mode starts running into the workplace because it gives femininity and formality. Evening outfits are also affected, and long and short dresses can be seen at the engagement. The design embraces an oversize look through a more elegant silhouette, especially on nightwear, which boasts a loose shape and liquid fabric. Changes in fashion during this period were also due to international influences such as from London and France, where designers were young. An important point about this period is that women also start wearing trousers and jeans.

The materials used for clothing and accessories changed during this era. The more widely used are easy synthetic treatment fabrics like Crimplene, Dacron, and Terylene. The benefit of such synthetic fabrics is that they are tangle-resistant, easy to wash, and require little or no ironing. Designers like CristÃÆ'³bal Balenciaga embrace these new types of materials, using them in big-arm jackets. The pattern for this piece is cut in rectangular shape that forms a blousy view of the box.

During this period, synthetic yarn that picked up dyes is easy to use. The visible skin of plastic also helps create a vibrant feel on accessories such as shoes, umbrellas, and additional clothing such as miniskirts. While in this era, clothing becomes divided along the age line, there are major oversized trends including: midi skirt, Dolman sleeve, loose jacket and a shapeless skirt. Another factor contributing to the trend of this period is the "post-industrial explosion" that helps generate wealth in the United States. Jackie Kennedy, wife of President John F. Kennedy, became a French fashion model and helped spur the spread of mini skirts, alongside Twiggy, who gained iconic status as the face and body of the era wearing a formless fashion dress that is a huge trend. The "beehive" hair style Jackie Kennedy also highlights the great fashion.

History of Womens Fashion - 1900 to 1919 | Glamourdaze
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The 1970s

The 1970s are often referred to as "Me Decade", a term coined by author Tom Wolfe. There are many groups, such as political groups and extremists, wanting part of the action. With regards to clothing, it is the era of "whatever goes", without rules. This is manifested in several ways through the production of fashion greatness.

The fashion style was inspired by the previous decade, hinting at nostalgia and interest in other cultures. The current political and economic situation in the United States, including civil rights, unemployment, war and terrorism, is reflected in the way people dress. With the women's movement of the 1970s, radical feminists can be stereotyped for their anti-fashion sentiments; these women need low maintenance and make a statement. In relation to high fashion, the finished fashion house produces more ready-made collections and casual wear.

With nostalgia as a major theme in this period, used clothing is the key. Similar to the 1950s, 1920's clothing was also influenced this decade, along with the '30s, '40s and 50s. Television and movies such as The Godfather and Grease also play a tribute to the style of the past. When not inspired by nostalgia, fashion takes another turn where "the idea appears as if your body has been spray painted". To get this look, tight clothes are worn and given accessory with short skirts, hat sleeves and leg warmers. "Hot pants" or skimpy shorts were also popular in the early 70s. In the mid-1970s, we saw the re-emergence of "unstructured design" of the fashion houses. This is considered the simplest piece, looking as if there is no need for skilled cuts. Characteristic of this piece is a wool cowboy Issey Miyake looking winter 1978-79, experimental example in textured knitting. The unstructured design of the 1970s highlights the great fashion of the decade.

History of Womens Fashion - 1920 to 1929 | Glamourdaze
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The 1980s

The early 1980s was the first time when women took high status roles in the workplace. In the 1940s, women's fashion in the 1980s was quite masculine, which was a reflection of women who wanted to be taken seriously as working professionals. The three most important designers of the early decade, Calvin Klein, Giorgio Armani, and Ralph Lauren, were designing clothes characterized by broad and square shoulders. The use of this massive shoulder is largely a demonstration of women who do not want to be seen by their feminine figures, but better viewed the same in their careers.

Designers such as Rei Kawakubo from Comme des GarÃÆ'§ons and Yohji Yamamoto began designing with Japanese-inspired aesthetics. Clothes become much larger to more like the kimonos and other flowing Japanese clothes. Like the big shoulders, this Japanese style has the effect of disguising the feminine form. Donna Karan, known at the time as "Queen of 7th Avenue," also began using this Japanese style of dress.

The numbers both inside and outside the fashion world take a gender-neutral style and make the display more popular. Singer, actress, and model Grace Jones are key figures in developing this type of fashion - keeping her hair short and wearing a large and manly outfit. Scottish singer Annie Lennox does the same, but has more effects in the music world.

Another important person who helped further the style of grandeur in the 1980s was Princess Diana, who for her marriage to Charles, Prince of Wales in July 1981 in an oversize wedding dress - made a popular tailor worldwide for the rest of the decade.


The 1990s

The 1990s was one of the most diverse eras for fashion. As the fashion world begins to experience the modernization of technology, along with broad support from mainstream consumers, the industry feels the need to attract different types of audiences. Some of the female fashion trends include neon and pastel colors, leggings and sportswear, hippie look, and hip-hop style. The latter of the examples, the hip-hop style, can be identified as an oversized mode from the 90s. The influence of hip-hop on urban mode is very powerful. The urban mode is obviously designed for African-American youth.

The urban style of the 1990s was heavily influenced by Black Nationalism and African trends began with blousy trousers exhibited by world renowned rap figures such as MC Hammer, who popularized large "Hammer pants" and fezzes. However, men are not the only ones who embrace this new form of street clothes. Women are also beginning to explore trends. TLC Group (band) and R & D singer B Aaliyah created their own urban mode for women. This trend consists of wearing large pants and a large flannel shirt. The aspect of hardcore rap does not fully allow women to embrace a feminine look that might make them seem weaker. However, some femininity is maintained by the use of more fit shirts, a loose middle section and a sports bra, while still difficult with rough pieces.

During the streetwear mode upheaval, color models began to make their mark in the industry. It was during the 1990s that Tyra Banks found fame. After being rejected by six model agencies, young Banks was signed by Elite Model Management, and in his first season as a model he booked 25 shows at Paris Fashion Week. Walking teasing the bank impressed the designers and made it a hot commodity. Designers who are influenced by large oversize streetwear are more likely to order color models to show their designs. Other famous color models so far include Naomi Campbell and Faith. Undoubtedly, the great fashion marked the beginning of a new trend for urban youth during the 1990s.


2000s

The great women's fashion at the turn of the century is mostly featured in various accessories. In the early 2000s, many designers began to use sizable and large glasses and jewelery on their lines, and women in fashion, music and film began to wear this enormous decor. Celebrities like Nicole Richie and Rachel Zoe help to further wear large accessories, and help in making popular items in everyday clothes. As the decade goes, large accessory utilities do not diminish, but more are becoming more widely used.

Since 2006, three designers have garnered a large amount of attention to adopt the fashion of greatness: Stella McCartney, Alexander McQueen, and Marc Jacobs. In 2006, McQueen wore a show in which the incredible hooded Kate Moss hologram dressed in yards of rippling cloth adorned the background of the catwalk; This move has led to too much fashion attention and makes Moss a poster model for great styling. McQueen's death in February 2010 caused his fashion style to attract more attention, which made fashion larger on the map.

Another exhibition of the trend is a big bag. Designers such as Balenciaga, Betsey Johnson, and Michael Kors began producing wallets and purses like bags that are larger than usual and meet a great aesthetic. As a result of the huge increase in the influence of internet and social media, these bags quickly became very popular after the photos of celebrities who brought them on display online so that many people can see and then imitate.

Reviews on the use of oversized modes in the new millennium have been mixed. Some designers and critics welcomed the use of large accessories, while others saw the trend as being lost. Young designers and fashion houses like McCartney, McQueen, and Jacobs generally appreciate great accessories, while older and more established couturier like Chanel finds many great accessories that are not fun and fancy.


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References

Source of the article : Wikipedia

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