Blouse ( ) is a loose top garment previously worn by workers, farmers, artists, women, and children. It is usually gathered at the waist or hips (with a belt or belt) so that it hangs loosely ("blouse") above the wearer's body. Today, the word most often refers to a woman's or women's shirt. The outfit can also refer to a man's shirt if it is a loose style (eg a poet's shirt and a Cossack shirt), though rare. Traditionally, this term has been used to refer to a shirt that is a blouse or has an unmistakable feminine appearance.
The term is also used for some men's military uniform jackets.
Video Blouse
Etimologi
A blouse is an English loan word from French: blouse means "dust coat". It may be brought back from their journey by the French Crusaders. They move on their armor called "p (e) shirt", a blue dress to the dust, whose name comes from the Egyptian town of Pelusium. The derivation can also be of "short (wool)" ("wool", "blouso" short "wol") blouses and/or blossomed "stripped, naked" taken (Dialects ProvenÃÆ'§ al). It was first officially recorded in 1828, from a French blouse ("worker's shirt or peasant suit"), from an obscure Occitan route.
Maps Blouse
Description and history
The blouse has historically been a vat style, mostly clothing like letters, which rarely became part of fashionable ladies' clothing until the 1890s. Prior to that time, they were sometimes popular for informal attire in a style that echoes farmers or traditional clothing, such as the Garibaldi shirt of the 1860s.
Blouses typically consist of lightweight fabrics such as silk or thin cotton fabrics, until the early 1990s were often made of falling synthetic fibers easily (eg polyester). Sometimes they are decorated with frills, embroidery or loops. Classic ladies blouse is a white shirt blouse (following the classic white elegant men's shirt). Here the possibilities of combinations vary greatly. Open spoon, frying pan, turning and collar respect are another common type of classical women's blouse.
- 1913 writes on Sunday about the women's blouse in Reitsport:
At the end of the 19th century, sailor blouses derived from seaman clothes were very popular for girls with blue pleated skirts. At the time of National Socialism this dress was rejected as a bourgeois decadent. In the 1950s, the seafarers then entered recreational mode for adults.
The tall collar on the blouse is pushed out during this time by a halsferne variant. Special shops also offer "women's robes". KdW in Berlin is applied in the main catalog illustrated: 1913 including backfisch-confection, with eight blocs between 2.75 and 9.50 Marks. The simplest model is "blouse washing, navy blue, white patches", the most expensive "blouse, white, wash, with tip and stick". One of the new things this season is "Charmeuse blouse", a very elegant shape, pure silk, with a very fine crepe and lace "
During the Victorian blouse period it later became common for informal, practical clothing. A simple blouse with a plain skirt is a standard outfit for newly expanded female (non-domestic) workers in the 1890s, especially for those working in the office. In the 1900s and 1910s, elaborate blouses, such as "blouse outfits" (so-called because they were heavily adorned with lace and embroidery in a style that was once confined to underwear) and "Gibson Girl Blouse" with folds and pleats, become very popular for everyday clothes and even some informal evening wear. Since then, the blouse remains a staple of clothing, so nowadays blouses have not stopped being fixed in the style of "popular dressing room".
Blouses are often made of cotton or silk fabric and may or may not include collars and arms. They are generally more customizable than simple knitted fabrics, and may contain feminine details such as ruffles, ties or soft bows in the neck, or embroidered decoration.
Adjusting gives a closer match to the shape of the wearer. This is accomplished by sewing features such as a princess's temple or bolted at the waist and/or breast.
Blouses (and many women's shirts with buttons) usually have reverse buttons of men's shirts (except in case of male military uniforms). That is, the buttons are usually in the left hand of the wearer and the buttonhole is on the right. The reasons are unclear, and some theories exist without conclusive proof. Some suggest this habit was introduced by the desserts so that they can distinguish between women's and men's shirts. One theory holds that tradition emerged in the Middle Ages when one way of manifesting wealth was by the number of keys a person wore. Another that the original design is based on armor designed so that the opposite of the right hand will not catch their weapons in stitches and break through, and that one can pull weapons with their right hand without catching them with loose stitches of their own clothes.
A female waiter in charge of buttoning their maids' dress (because the buttons are usually in the back). They are tired of trying to deal with buttons that, from their point of view, back off and, therefore they begin to reverse placements when creating or repairing them. Another possible reason is for men to easily cancel the blouse because, from the front, the buttons are on the same side as the men's shirt. One other theory is that women are usually dressed by their maids, while men dress themselves. Thus, a woman's blouse is designed in such a way that it is easily buttoned by a maid but the man is designed in such a way that it is easily buttoned by the person who wears it.
Although in all the cases put forward the reason for the distinction no longer exists, it continues from custom or tradition.
While most women would rather have an open top button for better comfort, some blouses made for women have a looser neckline so that the upper buttons can be tightened without sacrificing comfort but giving the same stylish appearance.
Some women attach various pins and ornaments to their blouses over the top buttons that are tied to style. Some of them are attached directly to the button itself, others to the collar.
Some blouses do not have a top button at all, and the collar is deliberately arranged to open. They are also part of the traditional folk costumes of several nations.
Style since World War II
New and different collar forms emerged in the 1920s. Its size was reduced in the 1950s, but was very large in the 1930s. In the early 1970s, popular styles included round collars, dog sausage collars, then extra wide collars and double cuffs of shirts, which fell on them frequently from fashion related to synthetic fabrics like usually polyester. In the early 1960s bubic bangs came back, then wide collars. Fashion stand collar and federal collar, loop, round collar, respectable collar and the smallest collar, sometimes with hidden buttons flying on the "smoking blouse", folds attached, and set-in-followed in the 1980s. Again, thinner and often glowing synthetic fibers are very popular. Toward the end of the 20th century, they used an extra-long pants blouse and worn over trousers or skirts, optionally combined with a rather wide belt at the waist in Germany, the Netherlands, Belgium, Denmark, Poland, England, Ireland , South Africa and the United States.
Arms had been shortened during the early 1950s to ½ and ½ in Europe. They were reduced again in the mid-1990s and are now regularly in 7/8, Ã,½, 1/3 and Ã,¼ long around the world. When the eyes will be attracted to the bare flesh under the arm, designers often use long sleeves to focus their eyes on the slim parts of the arm, especially the short-sleeved blouses below the elbow to give the illusion of a leaner arm. Fashionable sleeveless topical and topical items in Western Europe and North America during the mid-2000s.
Many of the fashionable styles, both in the 1970s and 1980s, were on their way again after the millennium in blouse mode: double cuffs, extra wide wide collars, waist belts, synthetic fibers and the like. Often the blouse is also embroidered or "crystal stocking", especially on the collar and rope. The so-called three-quarter-arm blouse was a striking phenomenon in the 1990s. Blouses can be combined well and easily with a blazer, tank top, bolero or sweater, with or without some colored silk necklaces or beaded chains.
Eco Movement
As part of Eco Eco Eco folk blouse for women cut from natural ingredients such as hemp, linen and cotton. Men also wear this "Frisian blouse" on certain occasions.
Use in Aboyne dress
In one version, a tartan pattern skirt is worn with over-the-shoulder plaids, white blouses and skirts, and a velvet corset. The alternative is a white dress on a skirt, along with a sling tartan pattern. A typical Aboyne dress consists of a dark corset or intricate vest, decorative blouse, full tartan skirt and several times skirts and aprons. Some have tartan sashes (usually draped over the shoulders and down toward the end of the skirt at the back) rather than aprons.
Use with dirndl
A woman dressed in a white blouse, usually in Bavaria and the countryside of Austria. They are usually made of light fabrics (textiles), such as silk or thin cotton, until the early 1990s are still often gently covered by the art of faserstoffen (such as polyester and satin). They often have fantastic decorations (such as frills, embroidery, or milling) and classics among women's blouses - here the possibilities of fashion combinations vary greatly. Spaten - or open collar collar - is a common type of classical female blouse.
Blouse or blouson jacket
A jacket or blouson blouse is a dress pulled tight around the waist with a blouse hanging over a waist band. New style male chetten loose blouse coat is made of stronger material or with an inner layer, which can be worn alone or as a jacket or more of the separate tops associated with. It's linked to Eisenhower's jacket.
See also
- Choli
- Dressing
- Skirt
References
Source of the article : Wikipedia
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